{"id":8812,"date":"2025-03-01T19:33:26","date_gmt":"2025-03-01T18:33:26","guid":{"rendered":"https:\/\/guitareffect.fr\/8812\/2025\/03\/01\/news\/sound-like-john-mayer-detailed-analysis-of-his-pedalboard\/"},"modified":"2025-03-01T19:38:39","modified_gmt":"2025-03-01T18:38:39","slug":"sound-like-john-mayer-detailed-analysis-of-his-pedalboard","status":"publish","type":"post","link":"https:\/\/guitareffect.fr\/en\/8812\/2025\/03\/01\/tips-tricks\/sound-like-john-mayer-detailed-analysis-of-his-pedalboard\/","title":{"rendered":"Sound like John Mayer: detailed analysis of his pedalboard"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">John Mayer is one of today&#8217;s hottest guitarists, and it <strong>has to be said that his sound is instantly recognizable.<\/strong><\/p>\n\n<p class=\"wp-block-paragraph\">Let&#8217;s find out what makes John Mayer&#8217;s sound so distinctive, and how to get closer to it with <strong>his<\/strong> current <strong>gear, pedals and effects<\/strong>, as well as some models that can help you get closer to his distinctive tones.<\/p>\n\n<h2 id=\"a-word-about-john-mayer\" class=\"wp-block-heading\"><strong>A word about John Mayer  <\/strong><\/h2>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1000\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/john-mayer-pedale-guitare.jpg\" alt=\"John Mayer effects pedals\" class=\"wp-image-8742\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/john-mayer-pedale-guitare.jpg 800w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/john-mayer-pedale-guitare-240x300.jpg 240w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/john-mayer-pedale-guitare-768x960.jpg 768w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/john-mayer-pedale-guitare-380x475.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/john-mayer-pedale-guitare-550x688.jpg 550w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Before getting to the heart of the matter, we&#8217;d like to take a quick look at his background.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Mayer was born in Connecticut in 1977. Not only a guitarist, but also an American singer and songwriter, he is often recognized and associated with a style that blends blues, rock and pop.   <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\">After a spell at Berklee College of Music, which he left before graduating, he made a name for himself with <em>Room for Squares<\/em> (2001) and the hit <em>Your Body Is a Wonderland<\/em>. With Continuum (2006), he shifted to a bluesier sound, supported by chart-toppers like Gravity. Collaborating with legends such as Eric Clapton and B.B. King, he joined <em>Dead &amp; Company<\/em> in 2015.    <\/p>\n\n<p class=\"wp-block-paragraph\">After vocal problems kept him away from the stage in 2011-2012, he returned with Born and Raised (2012) then Paradise Valley (2013) before exploring an 80s aesthetic with Sob Rock (2021). In 2018, he collaborated with Paul Reed Smith to design the PRS Silver Sky, a modern reinterpretation of the Stratocaster that quickly became a benchmark. <\/p>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 id=\"john-mayers-gear\" class=\"wp-block-heading\"><strong>John Mayer&#8217;s gear<\/strong><\/h2>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"610\" height=\"1024\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/prs-john-mayer-guitare-610x1024.jpg\" alt=\"PRS Silver Sky material John Mayer\" class=\"wp-image-8757\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/prs-john-mayer-guitare-610x1024.jpg 610w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/prs-john-mayer-guitare-179x300.jpg 179w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/prs-john-mayer-guitare-380x637.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/prs-john-mayer-guitare-550x923.jpg 550w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/prs-john-mayer-guitare.jpg 620w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h3 id=\"guitars\" class=\"wp-block-heading\"><strong>Guitars<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Although he has used a variety of guitars throughout his career, the <strong>PRS Silver Sky<\/strong> has become John Mayer&#8217;s main instrument since its introduction in 2018. This signature guitar, designed in collaboration with Paul Reed Smith, combines classic and modern elements to deliver a rich, versatile tone.   <\/p>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\">Its three 635JM single-coil pickups deliver a clear, midrange-rich sound, ideal for capturing the nuances of Mayer&#8217;s playing.<\/p>\n\n<h3 id=\"amplifiers\" class=\"wp-block-heading\"><strong>Amplifiers<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">To shape his sound, he relies on amplifiers offering great dynamics and harmonic warmth. Among his many amps, here are a few emblematic models of his sound: <\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Dumble Steel String Singer<\/strong>: A legendary amp, produced in very limited numbers and sought after for its exceptional clarity and unique dynamics.<\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Two-Rock Custom Reverb<\/strong>: An amp designed to deliver dynamic response and harmonic warmth that enhances Mayer&#8217;s expressive touch.<\/p>\n\n<p class=\"wp-block-paragraph\"><strong>Fender Bandmaster<\/strong>: A vintage amp with deep bass and smooth highs, often used for its enveloping clean tones.<\/p>\n\n<h2 id=\"john-mayers-pedals-and-effects\" class=\"wp-block-heading\"><strong>John Mayer&#8217;s pedals and effects<\/strong><\/h2>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"500\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales.jpg\" alt=\"pedalboard and pedals used by John Mayer\" class=\"wp-image-8749\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales.jpg 1000w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales-300x150.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales-768x384.jpg 768w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales-380x190.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales-550x275.jpg 550w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/pedalboard-john-mayer-pedales-800x400.jpg 800w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n<p class=\"wp-block-paragraph\">John Mayer&#8217;s pedalboard is a key element of his sound, incorporating a variety of pedals to sculpt his tone. Of course, these vary widely, and John doesn&#8217;t have a fixed pedalboard, so it&#8217;s hard to come up with a precise list to synthesize HIS sound&#8230;   <\/p>\n\n<p class=\"wp-block-paragraph\">Here, however, is a selection of the iconic pedals he uses or has used:<\/p>\n\n<h3 id=\"ibanez-tube-screamer-ts10\" class=\"wp-block-heading\"><strong>Ibanez Tube Screamer TS10<\/strong> <\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-john-mayer.jpg\" alt=\"ibanez tube screamer TS10 John Mayer\" class=\"wp-image-8752\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-john-mayer.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-john-mayer-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-john-mayer-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-john-mayer-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n<p class=\"wp-block-paragraph\">The Ibanez Tube Screamer TS10 is an iconic overdrive pedal, renowned for <strong>its midrange boost and smooth saturation. <\/strong>Unlike more aggressive overdrives, it doesn <strong>&#8216;t distort the sound but adds body and warmth<\/strong>, ideal for thickening up solo and rhythmic playing. John Mayer uses it mainly to <strong>obtain his main overdrive,<\/strong> enabling him to add a slight saturation while retaining great dynamics. Combined with a tube amp pushed to clean, it produces a round, expressive sound, perfect for his subtle phrasing and nuanced playing. John Mayer <strong>even <\/strong>uses <strong>2 of <\/strong>these <strong>on some of his pedalboards, <\/strong>making them the foundation of his sound!   <\/p>\n\n<h3 id=\"electro-harmonix-q-tron-plus\" class=\"wp-block-heading\"><strong>Electro-Harmonix Q-Tron Plus<\/strong> <\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/q-tron-electro-harmonix.jpg\" alt=\"Q-tron plus Electro Harmonix John Mayer\" class=\"wp-image-8761\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/q-tron-electro-harmonix.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/q-tron-electro-harmonix-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/q-tron-electro-harmonix-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/q-tron-electro-harmonix-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n<p class=\"wp-block-paragraph\">The Q-Tron Plus is <strong>an auto-wah pedal that reacts to playing intensity <\/strong>to create a dynamic filter effect. Unlike a classic wah, where the frequency is controlled manually, this filter envelops the sound according to the attack of the note. John Mayer uses it to <strong>create funky textures<\/strong> reminiscent of the sounds of Jerry Garcia and Stevie Wonder. He uses it in particular on rhythmic pieces, <strong>bringing groove and movement to his playing.<\/strong> Its circuitry enriches the mid and high frequencies, making chords more percussive and expressive.   <\/p>\n\n<h3 id=\"strymon-flint\" class=\"wp-block-heading\"><strong>Strymon Flint<\/strong><\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-flint-john-mayer.jpg\" alt=\"Strymon flint john Mayer\" class=\"wp-image-8764\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-flint-john-mayer.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-flint-john-mayer-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-flint-john-mayer-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-flint-john-mayer-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n<ul class=\"wp-block-list\">\n<li><\/li>\n<\/ul>\n\n<p class=\"wp-block-paragraph\">The Strymon Flint is a pedal combining <strong>vintage tremolo and spring reverb <\/strong>inspired by Fender amps of the &#8217;60s. Unlike conventional digital effects, it faithfully reproduces the subtle, natural fluctuations of analog circuitry. Mayer uses it to<strong> add depth and vintage character to his clean tones, <\/strong>especially when playing picking or arpeggios. The tremolo section lets him add <strong>a slight rhythmic sway, <\/strong>while the reverb adds a natural spaciousness without dominating the mix.   <\/p>\n\n<h3 id=\"klon-centaur\" class=\"wp-block-heading\"><strong>Klon Centaur<\/strong><\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/klon-centaur-john-mayer.jpg\" alt=\"Klon centaur john Mayer\" class=\"wp-image-8766\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/klon-centaur-john-mayer.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/klon-centaur-john-mayer-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/klon-centaur-john-mayer-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/klon-centaur-john-mayer-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n<p class=\"wp-block-paragraph\">The Klon Centaur is a legendary overdrive pedal, appreciated for its transparent boost and natural grain. More transparent than a Tube Screamer, it acts as <strong>a refined boost that preserves the amp&#8217;s natural grain <\/strong>while adding a hint of sustain. Mayer often uses it as <strong>a clean boost, <\/strong>increasing volume and clarity without altering the overall timbre. Its unique circuitry adds <strong>a slight saturation that blends perfectly with amps that are already slightly pushed.<\/strong> This pedal is essential for achieving the finesse and harmonic balance present in his lead sound.   <\/p>\n\n<h3 id=\"keeley-katana-clean-boost\" class=\"wp-block-heading\"><strong>Keeley Katana Clean Boost<\/strong><\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/katana-keeley-clean-boost-john-mayer.jpg\" alt=\"keeley katana clean boost john mayer\" class=\"wp-image-8768\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/katana-keeley-clean-boost-john-mayer.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/katana-keeley-clean-boost-john-mayer-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/katana-keeley-clean-boost-john-mayer-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/katana-keeley-clean-boost-john-mayer-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n<p class=\"wp-block-paragraph\">The Keeley Katana is also <strong>a transparent boost that serves primarily to add volume<\/strong> and presence without altering the basic tone. Unlike the Klon Centaur, which adds a little saturation, <strong>this pedal remains ultra-clean<\/strong>, preserving the dynamics and natural attack of Mayer&#8217;s playing. He uses it to<strong> add depth to his solos or reinforce his chords <\/strong>, while maintaining a clean, dynamic attack. Its simple but effective circuitry provides a linear boost, perfect for maintaining absolute clarity.     <\/p>\n\n<h3 id=\"way-huge-aqua-puss\" class=\"wp-block-heading\"><strong><a href=\"https:\/\/amzn.to\/41n6wFL\">Way Huge Aqua-Puss<\/a><\/strong><\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/41n6wFL\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/way-huge-aqua-puss-delay-john-mayer.jpg\" alt=\"Way Huge Aqua-Puss delay John mayer\" class=\"wp-image-8770\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/way-huge-aqua-puss-delay-john-mayer.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/way-huge-aqua-puss-delay-john-mayer-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/way-huge-aqua-puss-delay-john-mayer-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/way-huge-aqua-puss-delay-john-mayer-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/figure>\n\n<p class=\"wp-block-paragraph\">The <strong><a href=\"https:\/\/amzn.to\/41n6wFL\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Way Huge Aqua-Puss<\/a> <\/strong>is<strong> an analog delay<\/strong> renowned for its warm, organic repeats, with<strong> a slight natural modulation effect.<\/strong> Unlike digital delays, which can be very precise, this one has <strong>a certain imperfection that gives it character<\/strong> and movement. Mayer uses it to thicken his sound without it being too present, creating <strong>a slight slapback or discreet echo on his rhythmic and solo parts. <\/strong>Its low delay time (up to 300ms) makes it an excellent choice for vintage and bluesy sounds. <\/p>\n\n<h3 id=\"mxr-phase-90\" class=\"wp-block-heading\"><strong><a href=\"https:\/\/amzn.to\/43dWVUk\">MXR Phase 90<\/a><\/strong><\/h3>\n\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/43dWVUk\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-90-john-mayer.jpg\" alt=\"MXR phase 90 john mayer\" class=\"wp-image-8772\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-90-john-mayer.jpg 700w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-90-john-mayer-300x236.jpg 300w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-90-john-mayer-380x299.jpg 380w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-90-john-mayer-550x432.jpg 550w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><\/a><\/figure>\n\n<p class=\"wp-block-paragraph\">The<strong> <a href=\"https:\/\/amzn.to\/43dWVUk\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">MXR Phase 90<\/a> <\/strong>is <strong>a <\/strong>simple but effective <strong>analog phaser <\/strong>known for<strong> its smooth, progressive modulation effect.<\/strong> Unlike other, more complex modulation pedals, this one has <strong>a single knob<\/strong> for intuitive operation. Mayer uses it to <strong>add movement to his chords and solos, <\/strong>creating a subtle sonic &#8220;swirl&#8221; effect reminiscent of the sounds of David Gilmour or Eddie Van Halen. He often uses it on lead parts to <strong>give a soaring effect without saturating or cluttering the sound spectrum.<\/strong>  <\/p>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 id=\"a-few-pedals-to-get-closer-to-john-mayers-sound\" class=\"wp-block-heading\"><strong>A few pedals to get closer to John Mayer&#8217;s sound<\/strong><\/h2>\n\n<p class=\"wp-block-paragraph\">John Mayer is renowned for his <strong>expressive, nuanced playing<\/strong>, based on a sound palette balanced between crystalline clarity and organic warmth. His sound is based above all on a <strong>clean amp with beautiful dynamics<\/strong>, combined with <strong>natural overdrive<\/strong>, <strong>subtle delay<\/strong> and <strong>discreet modulation<\/strong>.   <\/p>\n\n<p class=\"wp-block-paragraph\">Of course, there is no absolute truth, but here is a selection of pedals that come close:  <\/p>\n\n<h3 id=\"overdrive-pedals-add-grit-while-respecting-dynamics\" class=\"wp-block-heading\"><strong>Overdrive pedals: <\/strong><br\/><strong>Add grit while respecting dynamics<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\"><strong>Overdrive is at the heart of Mayer&#8217;s sound.<\/strong> It must be subtle, responsive and respect the dynamics of the playing, <strong>without ever compressing or over-saturating the signal.<\/strong> The idea is to achieve <strong>a slight warmth and sustain, without overpowering the attack.<\/strong><\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4bpCbuN\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-TS808.jpg\" alt=\"Ibanez Tube Screamer TS808\" class=\"wp-image-8778\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-TS808.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-TS808-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/ibanez-tubescreamer-TS808-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/4bpCbuN\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Ibanez Tube Screamer TS808<\/a><\/strong> An overdrive that slightly boosts the midrange while maintaining a round, expressive sound. It thickens notes without over-saturating them, perfect for Mayer&#8217;s singing solos. <\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/3QDCSY3\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-morning-glory.jpg\" alt=\"JHS Morning Glory\" class=\"wp-image-8781\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-morning-glory.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-morning-glory-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-morning-glory-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/3QDCSY3\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">JHS Morning Glory<\/a><\/strong> A more transparent alternative to the Tube Screamer, which adds subtle grain without altering the amp&#8217;s basic equalization too much. Ideal for those seeking a natural boost and slight crunch. <\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/wampler-clarksdale-overdrive.jpg\" alt=\"Wampler Clarksdale overdrive\" class=\"wp-image-8784\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/wampler-clarksdale-overdrive.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/wampler-clarksdale-overdrive-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/wampler-clarksdale-overdrive-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong>Clarksdale Wampler<\/strong>: A modern version of the Tube Screamer with more precise frequency control, allowing you to fine-tune the sound according to the type of amp you&#8217;re using.<\/p>\n<\/div>\n<\/div>\n\n<h3 id=\"pedals-from-boost-boost-the-signal-without-coloring-the-sound\" class=\"wp-block-heading\"><strong>Pedals<\/strong> <strong>from<\/strong> <strong>Boost : <\/strong><br\/><strong>Boost the signal without coloring the sound<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">A boost is used to <strong>push the amp and overdrives slightly<\/strong> to obtain more presence and volume, without necessarily altering the color of the sound.<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4brwkW2\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/EP-booster-xotic.jpg\" alt=\"xotic EP booster\" class=\"wp-image-8786\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/EP-booster-xotic.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/EP-booster-xotic-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/EP-booster-xotic-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/4brwkW2\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Xotic EP Booster<\/a><\/strong> Inspired by tape echo preamps, this boost adds a slight warmth and contour to notes, perfect for fleshing out a clean sound or pushing an overdrive.<\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4inyBDV\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/spark-booster-tc-eletronics.jpg\" alt=\"TC Electronic Spark Booster\" class=\"wp-image-8788\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/spark-booster-tc-eletronics.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/spark-booster-tc-eletronics-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/spark-booster-tc-eletronics-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/4inyBDV\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">TC Electronic Spark Booster<\/a><\/strong> A more neutral boost that simply increases volume without affecting EQ. Useful for switching from a rhythmic sound to a solo without excessive coloration. <\/p>\n<\/div>\n<\/div>\n\n<h3 id=\"delay-pedals-add-depth-and-relief-without-weighing-down-the-sound\" class=\"wp-block-heading\"><strong>Delay pedals: <\/strong><br\/><strong>Add depth and relief without weighing down the sound<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">John Mayer uses delay sparingly, usually to <strong>add a subtle resonance<\/strong> or to thicken notes without making them seem drowned out by the effect.<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/43kqgMS\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-el-capistan.jpg\" alt=\"Strymon el capistan\" class=\"wp-image-8790\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-el-capistan.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-el-capistan-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-el-capistan-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/43kqgMS\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Strymon El Capistan<\/a><\/strong> A tape delay with slightly modulated repeats, perfect for organic, musical echoes. It adds subtle depth without sounding too modern. <\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4boDU3y\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/boss-DD-200.jpg\" alt=\"Boss DD-200\" class=\"wp-image-8792\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/boss-DD-200.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/boss-DD-200-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/boss-DD-200-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/amzn.to\/4boDU3y\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\"><strong>Boss DD-200<\/strong> <\/a>A versatile digital delay with several modes, including a <strong>&#8220;tape&#8221; model<\/strong> that imitates vintage tape echoes. Ideal for smooth, natural delays. <\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4bpNVNK\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-carbon-copy-delay.jpg\" alt=\"MXR Carbon copy\" class=\"wp-image-8794\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-carbon-copy-delay.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-carbon-copy-delay-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-carbon-copy-delay-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/4bpNVNK\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">MXR Carbon Copy<\/a><\/strong> A very simple analog delay with warm, slightly dark repeats. It adds relief while remaining discreet in the mix. <\/p>\n<\/div>\n<\/div>\n\n<h3 id=\"modulation-pedals-add-movement-and-character-to-clean-sounds\" class=\"wp-block-heading\"><strong>Modulation pedals: <\/strong><br\/><strong>Add movement and character to clean sounds<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">John Mayer sometimes uses <strong>subtle modulations<\/strong> to enrich his clear sounds and give them more texture, notably via tremolos and light phasers.<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4h32uby\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-unicorn-V2.jpg\" alt=\"JHS Unicorn V2\" class=\"wp-image-8799\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-unicorn-V2.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-unicorn-V2-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/jhs-unicorn-V2-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/4h32uby\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">JHS Unicorn V2<\/a><\/strong> A Univibe-inspired vibrato pedal for a warm, organic modulation effect, useful for giving subtle movement to clean sounds.<\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/3QJauDP\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-95.jpg\" alt=\"MXR Phase 95\" class=\"wp-image-8797\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-95.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-95-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/mxr-phase-95-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/3QJauDP\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">MXR Phase 95<\/a><\/strong> A compact analog phaser that adds a <strong>slight ripple<\/strong> to the sound, perfect for coloring a solo without distorting the basic signal.<\/p>\n<\/div>\n<\/div>\n\n<h3 id=\"reverb-pedals-reverb-placing-sound-in-a-natural-space\" class=\"wp-block-heading\"><strong>Reverb pedals<\/strong> <strong>Reverb : <\/strong><br\/><strong>Placing sound in a natural space<\/strong><\/h3>\n\n<p class=\"wp-block-paragraph\">John Mayer favors <strong>subtle, organic reverbs<\/strong>, often inspired by Fender spring amps, which add depth without being too intrusive.<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/41kzF4j\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/neunaber-web-reverb.jpg\" alt=\"Neunaber Web Reverb\" class=\"wp-image-8802\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/neunaber-web-reverb.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/neunaber-web-reverb-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/neunaber-web-reverb-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/41kzF4j\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Neunaber Wet Re<\/a><\/strong><a href=\"https:\/\/amzn.to\/41kzF4j\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\"><strong>verb<\/strong> <\/a>A very natural reverb for an &#8220;airy&#8221; sound without too much echo effect. Ideal for fingerpicking and arpeggios. <\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-style-rounded\"><a href=\"https:\/\/amzn.to\/4ilV7wJ\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"486\" height=\"550\" src=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-big-sky.jpg\" alt=\"Strymon Big Sky\" class=\"wp-image-8804\" srcset=\"https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-big-sky.jpg 486w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-big-sky-265x300.jpg 265w, https:\/\/guitareffect.fr\/wp-content\/uploads\/2025\/03\/strymon-big-sky-380x430.jpg 380w\" sizes=\"auto, (max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/amzn.to\/4ilV7wJ\" target=\"_blank\" rel=\"noreferrer noopener sponsored nofollow\">Strymon BigSky<\/a><\/strong> One of the most complete reverbs on the market, with sounds inspired by Fender amps, perfect for deep, immersive ambiences.<\/p>\n<\/div>\n<\/div>\n\n<p class=\"wp-block-paragraph\">Finally, here are a few videos on the subject, detailing Mr. Mayer&#8217;s pedalboard:   <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LA P\u00c9DALE ULTIME pour John Mayer! Klon, Bluesbreaker et TS10 | Demo de la Nordvang Triple Gain\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/2gbrubuDsns?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sonner comme JOHN MAYER, spoiler alert : c&#039;est pas facile et tu vas red\u00e9couvrir l&#039;overdrive\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Jrt6gSLK7L8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Mayer&#039;s Pedalboard for Dead &amp; Company&#039;s Sphere Residency - Full Pedalboard Breakdown\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/O_T7dVveFbw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The John Mayer Trio Rig Breakdown: Pedals, Amps, &amp; Guitars!\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/nJVdtCWTaw8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Pedals John Mayer Is Using On The Final Dead &amp; Company Tour - 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