{"id":5754,"date":"2023-12-10T15:34:05","date_gmt":"2023-12-10T14:34:05","guid":{"rendered":"https:\/\/guitareffect.fr\/5754\/2023\/12\/10\/non-classifiee\/discover-the-electro-harmonix-brand\/"},"modified":"2024-11-29T17:11:46","modified_gmt":"2024-11-29T16:11:46","slug":"discover-the-electro-harmonix-brand","status":"publish","type":"post","link":"https:\/\/guitareffect.fr\/en\/5754\/2023\/12\/10\/brands\/discover-the-electro-harmonix-brand\/","title":{"rendered":"Discover the Electro-Harmonix brand"},"content":{"rendered":"\n
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\"Electro-Harmonix<\/figure>\n<\/div>\n\n\n\n
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Founded in New York in 1968 by Mike Matthews <\/strong>, Electro-Harmonix is the epitome of creativity and innovation. The brand has played an essential role in the evolution of the electric guitar sound.<\/strong> With a diverse range of products, the brand with the “Ram’s Head” logo has become an essential reference in the world of effects pedals.<\/strong> <\/p>\n<\/div>\n<\/div>\n\n

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Electro-Harmonix philosophy: freedom and non-conformism<\/strong><\/h2>\n\n\n\n

Electro-Harmonix’s philosophy is captured in the words of its founder, Mike Matthews:“I was predestined to be unconventional!<\/em>“. The brand is resolutely committed to pushing the boundaries of sound, challenging established norms and encouraging creativity<\/strong>. This constant quest for sonic freedom guides every product and every innovation. <\/p>\n<\/div>\n\n\n\n

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The story of an effect giant<\/strong><\/h2>\n\n
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\"LPB-1<\/figure>\n<\/div>\n\n\n\n
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1968: the birth<\/strong><\/h3>\n\n\n\n

Electro-Harmonix was founded in 1968 by Mike Matthews, a visionary with a passion for the creative potential of sound effects <\/strong>in music. The release of the LPB-1 Linear Power Booster<\/strong> that year marked the beginning of a new era in saturation and overdrive. <\/p>\n<\/div>\n<\/div>\n\n

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The 70s: the revolution <\/strong><\/h3>\n\n\n\n

During the ’70s, Electro-Harmonix established itself as an industry leader with pedal releases <\/strong>that would become iconic. These included the Big Muff Pi<\/strong>, a fuzz pedal that revolutionized the sound of the electric guitar and became a benchmark in the world of rock music. <\/p>\n<\/div>\n\n\n\n

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\"Big<\/figure>\n<\/div>\n<\/div>\n\n
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\"memory<\/figure>\n<\/div>\n\n\n\n
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Early 80s: new frontiers<\/strong><\/h3>\n\n\n\n

Electro-Harmonix continues to explore new sonic frontiers with releases such as the Electric Mistress Flanger\/Filter Matrix <\/strong>and Memory Man Analog Delay<\/strong>. These pedals are fast becoming must-haves, expanding the sonic palette of musicians and producers alike.<\/strong> <\/p>\n<\/div>\n<\/div>\n\n

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The 90s and beyond: time for versatility and expansion <\/strong><\/h3>\n\n\n\n

The ’90s saw the introduction of versatile pedals like the POG (Polyphonic Octave Generator)<\/strong>, offering musicians a wide range of sonic possibilities. Electro-Harmonix continued to expand its range with modulation, delay and synthesis pedals<\/strong>, consolidating its reputation as an innovator. <\/p>\n<\/div>\n\n\n\n

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\"micro<\/figure>\n<\/div>\n<\/div>\n\n
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\"\"<\/figure>\n<\/div>\n\n\n\n
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Iconic artistic collaborations<\/strong><\/h3>\n\n\n\n

Electro-Harmonix pedals are gaining in popularity thanks to their adoption by renowned artists. Iconic bands such as Pink Floyd, U2, Nirvana, and the Red Hot Chili Peppers<\/strong> incorporate EHX effects into their recordings, contributing to the brand’s worldwide renown. <\/p>\n<\/div>\n<\/div>\n\n

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Major influence on tube amp brands<\/strong><\/h3>\n\n\n\n

From 1998 onwards, Electro-Harmonix tubes became essential to the sound of tube amplifiers from prestigious brands such as Fender, Peavey, Mesa Boogie, Marshall and Audio Research,<\/strong> further extending the brand’s influence in the world of amplification.<\/p>\n<\/div>\n\n\n\n

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\"electro-harmonix<\/figure>\n<\/div>\n<\/div>\n\n

A story of highs and lows <\/strong><\/h3>\n\n

In the late 1970s, when the company was at its creative peak, it faced major challenges: in 1978, Mike Matthews was confronted with an attempt to unionize his staff.<\/strong> Refusing to set up a union in his company, Matthews faced a blockade of the factory. Despite accusations from some unionists that he was exploiting minorities, employees chose to remain loyal to Matthews, emphasizing his merit-based approach and internal promotion. However, this period left scars, and in January 1981, the repercussions of several months of blockade forced Matthews to file for bankruptcy.<\/strong> <\/p>\n\n

At the same time, Japanese competition emerged as a major challenge <\/strong>for Electro Harmonix in the mid-1980s. Although the brand ordered electronic chips to fulfill multi-million dollar contracts, the supplier diverted the order to Japanese producers, jeopardizing the company’s operations. This situation eventually led to the sale of EHX to a businessman, and although Matthews managed to buy back the brand in 1986, the years that followed were characterized by financial difficulties<\/strong> and a hiatus in production. However, Matthews’ perseverance led to the resurrection of the brand, with the creation of the New Sensor Company and<\/strong> the reintroduction of iconic products. <\/p>\n\n

Artists who have made Electro-Harmonix famous<\/strong><\/h2>\n\n

David Gilmour (Pink Floyd)<\/strong><\/h3>\n\n

David Gilmour used the Electric Mistress<\/strong> in the ’70s, creating the famous chorus sound on the guitar of “Shine On You Crazy Diamond”. The Big Muff <\/strong>was also a key element in his iconic sound.<\/p>\n\n

The Edge (U2)<\/strong><\/h3>\n\n

The Edge has made extensive use of Electro-Harmonix pedals, particularly the Memory Man for its atmospheric delays.<\/strong> The POG<\/strong> is also used to create unique polyphonic organ sounds.<\/p>\n\n

Jack White (The White Stripes)<\/strong><\/h3>\n\n

Jack White is an avid user of the Big Muff <\/strong>for aggressive fuzz tones. In White Stripes, the raw, powerful sound of his guitar is partly due to the creative use of Electro-Harmonix pedals. Jack White also makes extensive use of the POG octaver effect.<\/strong> <\/p>\n\n

Billy Corgan (Smashing Pumpkins)<\/strong><\/h3>\n\n

Billy Corgan’s massive guitar sound on Smashing Pumpkins albums has often been shaped by the Big Muff. The Electric Mistress <\/strong> was also used to create distinctive atmospheric textures.<\/p>\n\n

John Frusciante (Red Hot Chili Peppers)<\/strong><\/h3>\n\n

John Frusciante notably incorporated the Big Muff<\/strong> into his pedal arsenal, helping to forge the Red Hot Chili Peppers’ characteristic sound, particularly on the “Blood Sugar Sex Magik” album.<\/p>\n\n

Kurt Cobain (Nirvana)<\/strong><\/h3>\n\n

Kurt Cobain used the Small Clone Chorus<\/strong> to add a subtle modulation to his guitar, notably recognized on the song Come as you are.<\/p>\n\n

Electro-Harmonix, a multi-national pioneer who continues to influence today!<\/h2>\n\n

With a range of over 150 effects pedals<\/strong>, Electro-Harmonix continues to push the boundaries of sound. Our pedals are easy to use<\/strong>, affordable<\/strong> and distributed worldwide. Iconic pedals such as the Big Muff Pi, Small Clone and Memory Man have left an indelible mark on the musical landscape, and continue to influence and inspire musicians the world over.<\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":"Founded in New York in 1968 by Mike Matthews , Electro-Harmonix is the epitome of creativity and 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